Mechanics of Tranquillity
16mm transferred to 2k / Stereo / 2 channel / 53'Expanded Cinema2023
This two-channel film installation
immerses the viewer in a series of memories of Canadian archer TRAVIS
(33). Wandering through the Canadian
rockies he fires volleys of arrows into dead treestumps, one stump after
the other. The repetition continues from hill to hill, valley to
slope, and field to field, revealing a deeper rhythm.
Mechanics of Tranquillity premiered on Nederlands Film Festival 2023 in it’s NFF×030 program. It was also shown in EKKO in Utrecht and programmed for ETMAAL festival in TivoliVredenburg.
Theories behind tranquillity - Implementing Predictive Processing
For a
couple of years now I have been enthralled by ideas surrounding
predictive processing regarding the nature of experience. Predictive
processing, according to philosophers and neuroscientists like Andy
Clark and Anil Seth, is a
brain's mechanism for perceiving and understanding the world by
constantly generating and updating predictions about incoming sensory
information, shaping our conscious experience and interactions with the
environment. For example: The brain, encased in a bony lightless dome,
is not like a sensor or a filmstrip where light is projected onto. The
eyes receive lightwaves, and codify them into neural signals up to the
brain. The brain does some combining of alot of factors, and there is
your picture! But, light itself never enters the brain, it remains dark.
The picture we see, with ‘light’ and all, is a subjective experience.
The important step of this theory is that the brain doesn't
passively perceive the world through sensory inputs
but rather actively predicts what it expects to experience based on its
internal models and past experiences. It learns to see, comparing the
translated input of the eyes to see whether it’s picture is correct. Experience of reality, Clark says, happens at the interaction of the
expectation of the brain and the ‘check’ by the senses.
Repetition
One intriguing aspect of predictive processing is the requirement for a
recurring event to occur and an agent to perceive it, allowing the agent
to train itself based on that event. Learning doesn't occur from a
single instance; it necessitates more data, more input, and a sustained
period of repeated occurrences. Over time, the perceiver accumulates
enough data to construct a model of what precisely is unfolding, drawing
from past experiences to enhance its understanding.So to put it rather formulaic: Expectation > Check > Correct > Good! > Repeat
The foundation of all experience for living beings, regardless of
its
form, lies in repeated occurrences, enabling them to navigate and
interact with their perceived world. This observation suggests that our
biological makeup is inherently inclined towards patterns and
repetitions, likely because they are more graspable and understandable
to us. Is this why we feel at home in familiar, safe surroundings? Why
an musical rhythm resonates? Or the drumming of a ruffed grouse? Why an
arrow, landing in it’s exact expected spot over and over again, is so
satisfying?
In arts
Predictive processing is also active in the arts. For instance, when we listen to music, our brains engage in the
dance of anticipation and fulfillment. The melodies and rhythms set up
expectations, and our minds eagerly predict the next note or beat. As
the music unfolds, our brains compare these predictions with the actual
sensory input, whether it's the next note in a melody or the rhythm of a
drumbeat. The moment our predictions align with the actual sound, a
surge of satisfaction follows.
In Physics
Let‘s
go a little further, into a world I know little about; physics. Luckily
there is a physicist who also a good writer that can enlighten us.
There is a wonderfull poetry in what Carlo Rovelli writes in his book Reality Is Not What It Seems, that perhaps could also apply to the abovementioned writings on rhythm:
“In the world described by quantum mechanics there is no reality
except in the relations between physical systems. It isn’t things that
enter into relations but, rather, relations that ground the notion of
‘thing’. The world of quantum mechanics is not a world of objects: it is
a world of events. Things are built by the happening of elementary
events: as the philosopher Nelson Goodman wrote in the 1950s, in a
beautiful phrase, ‘An object is a monotonous process.’ A stone is a
vibration of quanta that maintains its structure for a while, just as a
marine wave maintains its identity for a while before melting again into
the sea.”Perhaps, rhythm is not just a base for
experience to occur. According to this line of thinking, matter itself
and how we understand it, is perhaps also based on rhythm.
Supported by
Gemeente Utrecht,
Stichting Gerbrandy Cultuurfonds